Margarita Georgiadis

"Margarita Georgiadis draws on the complexity and contradictions of the landscapes around her and of the people she conjures in paint. Her greatest skill is her ability to access the fragility of the human spirit. In every single work, there is a suggestion of the painful fallibility of humankind and a reminder of the cyclical quality of everlasting time" - Prue Gibson, AAR Magazine, 2010 

Before a career in painting, Margarita was a dancer – a good one. She was accepted in to the Australian ballet school and was destined to make a life as a ballerina in Melbourne. But after a battle with anorexia, her family pulled her away from the pressures of the stage and her creative expression took a different form as she started to paint. Still using her passion for dance and movement she started to create huge canvases, directed by the rhythm and harmony of the music that she was listening to.

Her oil paintings are seductive and dreamlike. Glowing figures reach out from the dark, or are twisted in metamorphic poses. Margarita has been a fine artist for over twenty years and as such her works defy categorisation, although they have been described as having qualities of both surrealim and super-realism. Contemporary in character, they also reference the work of the Old Masters with their luminescent forms and chiaroscuro light. The concept of the works is integral to their creation, and Margarita deliberately designs images which are provocative and demonstrate her fascination with the ‘presence of absence’.

The following is taken from an interview with Margarita in IMPRINT on Monday 12 October 2009:

If you have ever wondered if hard work pays off then keep reading. Margarita Georgiadis is perhaps the most determined person I have ever come across. She has dedicated herself to the pursuit of becoming a professional artist in a way that is truly admirable. And now she is enjoying the fruits of her labour - becoming a finalist in The Archibald Prize and exhibiting regularly at the Rex Livingston Gallery in Sydney (her latest exhibition is on until October 25) and the Edwina Corlette Gallery in Brisbane.

Which five words best describe you? 
Obsessive. Tenacious. Dedicated. Curious. Playful.
What was your first job and what path have you taken since then? 
My first ever job was as a hairdresser's assistant when I was 15. The only creativity I experienced from that job was after hours when I would steal as many different colours of hair dye to experiment with at home, a different shade for my mohawk every week. Since then, I enrolled myself into art school at the age of 16 and studied full time for six years, the final two at the University of Sydney for a BA in Fine Art. I also studied commercial printmaking and business studies. While still a student, I rented a small studio in Sydney CBD and worked on my own projects and began to exhibit my work. To earn money, I used to nude model for professional artists, designers, photographers, art institutions and often for my own drawing class at art school when the booked model failed to show up! On weekends I would work two jobs at The Royal North Shore Hospital from 6am - 10pm, as a catering maid and a cleaner in accident and emergency; I learned a lot about the fragility of life there. I never had time in between studying and working for a social life - good training in retrospect for an artist, as I am very comfortable working in solitude for long periods of time. After my studies, I worked part-time in advertising, commercial real estate and PR as a receptionist, and I would paint in my studio from 6 pm to 3 am on commissions and for solo shows. In my late twenties I launched into being a full-time professional artist. I have never looked back, but am very grateful for the path I took, the lessons I learned along the way have been more than character building. I still cut my own hair, very short, but no longer dye it.
What’s your proudest achievement? 
Being selected as a finalist for the Archibald Prize, which lead me to meet the man who is now my husband.
What’s been your best decision? 
To buy the ramshackle cinema in which my husband and I live and work, on the Southern Tablelands of NSW.
Who inspires you? 
Authors: Italo Calvino, Ben Okri and Paolo Zellini. Artists: Axel Geis, Michael Borremans and Lucian Freud. Music: Satie.
What are you passionate about? 
Universal enlightenment.
What’s the best lesson you’ve learnt? 
Selflessness.
Which person, living or dead, would you most like to meet? 
The artist, Louise Bourgeois.
What dream do you still want to fulfill? 
To create all the paintings I've yet to produce that bring me closer to truth.
What are you reading? T.S. Eliot's Four Quartets - I am always reading this book.